Thrash returned to this subject at least four other times, recreating the composition in oil, tempera, woodcut, and Carborundum relief etching. Dox Thrash, Saturday Night, c. 1942-45. Carborundum mezzotint with drypoint. There, he mastered a variety of techniques, including etching, aquatint, drypoint, mezzotint, lithography, and linoleum cut. and adapted by other members of the WPA workshop, but the compelling imagery One grassroots initiative, The Black Futures Campaign, is seeking to raise $100,000 to buy the building and convert it into a “community-centered hub of arts” that will preserve the physical fabric of what was Thrash’s residence, but do so in a way that also celebrates his legacy as a nationally significant Black artist. Typical of his practice, Thrash later reworked the plate for Mary Lou and created Miss X (c. 1940), which he possibly made as an engagement portrait for his soon-to-be wife, Edna McAllister. American cultural affairs in Philadelphia during the 1940s and 1950s, by Dox Thrash 1941 Carborundum Mezzotint over etched guidlines often produce dark, rich values because the ink has many places to settle. St. Louis Art Museum. Rather than representing himself in the medium for which he became best known, however, he used the more traditional material of oil paint. Library for thousands of articles and essays on American art. at art school that included courses in graphic design as well as the fine and cultural center founded in 1940 at 1517 West Girard Avenue. He then enlarged the paintings and transferred them to silk canvas using acrylic paint. One of his first pieces employing this nascent technique was his anonymous self-portrait entitled Mr. X. of the Philadelphia Navy Yard. He used this as his primary medium for much of his career and created his greatest works with it. 22, 1893. Although the Dox Thrash House was listed on the Philadelphia Register of Historic Places in 2013, it is in disrepair following a partial demolition, years of vacancy and neglect. [Dox Thrash, Defense Worker] Planographic Printmaking. Dox Thrash, Pensive Woman, 1940s-50s. Through his carborundum print Life, he depicts a neatly dressed black girl reading what appears to be a newspaper or magazine. Print Center) and, until it closed in 1963, the Pyramid Club. He got a job as an elevator operator during the day, and used this source of income to attend the School of the Art Institute of Chicago at night. Thrash experimented with all of them and achieved some extraordinary results. on deposit at the Philadelphia Museum of Art).
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